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Version vom 9. Februar 2018, 20:15 Uhr

Just as a builder would hesitate to construct a home without a watchfully worked-out plan, therefore an author should be loath to start articles before he has discussed it entirely. In planning a building, an architect considers how large a home his client desires, how many rooms he should provide, how the space available may possibly best be apportioned among the rooms, and what relation the rooms are to keep to one another. In describing articles, also, a writer has to determine how long it should be, what material it should include, how much space should be dedicated to each aspect, and how the components should be arranged. Time spent in hence planning an article is time well spent.

Outlining the topic entirely involves thinking out the content from starting to end. The worth of each item of the material gathered must be carefully weighed; its regards to the entire issue and to every part must be considered. Because much of the effectiveness of the presentation will be based upon a logical development of thinking, the design of the components is of even greater importance. In the last analysis, good writing suggests clear thinking, and at no point in the preparation of an article is clear thinking more essential than in-the planning of it.

Beginners sometimes insist that it"s simpler to write without an outline than with one. It undoubtedly does simply take less time than it does to believe out all the details and then write it to dash off an unique element tale. In nine cases out of ten, however, whenever a author attempts to work out an article as he goes along, trusting that his ideas can organize themselves, the effect is not even close to a transparent, rational, well-organized presentation of his subject. The popular disinclination to-make an overview is normally predicated on the difficulty that most people experience in getting down-in logical order the outcomes of such thought, and in deliberately contemplating a subject in all its various elements. Unwillingness to outline a subject broadly speaking means unwillingness to consider.

The length of an article is determined by two considerations: the range of the subject, and the plan of the distribution for which it is designed. A large subject can"t be adequately treated in a short space, nor can an essential theme be disposed of satisfactorily in a few hundred words. The period of articles, generally, should really be related to the size and the significance of the matter.

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The practice of printing a column or two of reading matter o-n most of the advertising pages influences the length of articles in several journals. To obtain a stylish make-up, the writers allow only a page or two of every post, short story, or serial to can be found in the first element of the journal, relegating the rest to the advertising pages. Articles should, therefore, be long enough to fill a full page or two in the first part of the many columns and periodical about the pages of advertising. Some magazines use small articles, or "fillers," to provide the required reading matter on these advertising pages.

Newspapers of the typical size, with from 1,000 to 1200 words in a line, have greater freedom than magazines within the subject of make-up, and can, thus, use special feature stories of varied lengths. The design of advertisements, also in the newspaper pieces, does not affect the size of articles. The only way to ascertain precisely the needs of different newspapers and magazines would be to count the words in typical articles in different departments..

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